The Bedroom Philosopher @ The Northcote Social Club
After a year away from Melbourne’s live music scene, it’s taking me a little bit to get back into the routine. Last time, I forgot my earplugs and camera. This time, I only forgot my camera. Hopefully the next gig will involve me not forgetting anything! But in the mean time, you get some slightly lower quality photos and video, courtesy of my phone.
First up for the evening’s lineup was Pinky Beecroft and The White Russians. As a long time fan of Pinky’s work, it’s always a pleasure to see them on stage, tonight was no exception.
As he mentioned in the above clip, Pinky was in a good mood, so didn’t grumble too much when the traditional Melbourne request for a Machine Gun Fellatio song came up (in this case, Unsent Letter). With a little luck it won’t scare The White Russians off from performing here again in the near future!
Up next were The Boat People. Sadly, they were a bit underwhelming after The White Russians. The music was okay, but not spectacular. Girl jeans are a bad look on guys – the lack of room for boy bits makes for the rather unattractive “pocket dong” look. That said, they did finish on a strong note, their last song, Born in the 80s (from their previous album) was pretty rockin’.
Finally, the main act: The Bedroom Philosopher. I hadn’t had the pleasure of seeing him live, having only heard a couple of songs on JJJ. The public transport theme was cool, with his backing band (The Awkwardstra) dressed in old MET uniforms. I’m also a big fan of any band that can bring on a brass section, even if they only managed a couple of trumpets.
Sadly, the gig was marred a little by a (Crazy fan? Jilted lover? Belligerent drunk? All of the above?), named Bridget, who felt the urge to interrupt, squeal and make a nuisance of herself, even when asked to stop by the band and the crowd. Bridget, if you’re reading this, stop doing that. You’re kind of ruining it for everyone else.
Luckily, the gig got right back on track, culminating in a magnificent “Pyramid of Power”!
A few more photos available here.
Yohosie at The Tote, with Boom Pretty
This makes the second show of Yohosie‘s May residency at The Tote, and they’re rocking it.
First band up was Innerspace, with their rather loud wakeup for the neighbours. Sadly, they were a bit too loud for the small venue, I couldn’t really hear their music. Going by the recordings available on their MySpace, I would like to hear them again, but with slightly more favourable mixing. They’ll be playing next at Manchester Lane on the 7th of May.
Then came Boom Pretty. They’ve been absent from the Melbourne gig scene for a few months now, working on recording their new EP. That said, they haven’t lost any of their stage presence. With the addition of Dave on bass, and Nic taking on backing vocals, they’re producing a richer sound than we’ve previously heard.
As mentioned, Boom Pretty do have a new EP that they’ve been working on, and it’s sounding pretty good. The launch is on the 30th of May at The Evelyn, but those of you who are really keen can buy it already on iTunes.
Finally, the headline act, Yohosie. They’ve been a regular on the Melbourne scene for a year and a half now, and have earned themselves a loyal following. With quirky lyrics and an almost manic energy coming from Xani, the co-lead vocalist and electric violin virtuoso, they provide a very entertaining show.
Yohosie are also launching a pile of new material, on the 22nd of May, at The Evelyn. Keep an eye on their MySpace for more details. In the mean time, they still have three more shows at The Tote for this month’s residency. If you haven’t already been, go!
Finally, 2 shakycam videos from the gig!
Boom Pretty, performing their new single Winter Bend:
Yohosie, performing their single Train Song:
More gig pics available here.
Links
Yohosie
Boom Pretty
Innerspace
V Festival
While not as popular as its bigger cousin Big Day Out, V Festival always manages to sign on the big names, this year being no exception. While the day didn’t start out spectacularly (it seems one of the promoters forgot to pass the door list I was on over to Ticketek), the show itself went off with nary a hitch.
The day started with the winner of the Garage2V competition, Villains of Wilhelm. They proved themselves quite the entertainers, the lead singer winning over the small crowd quickly with his forays off the stage and down to the audience. Their music rocked, I shall certainly be keeping an eye out for them in the future.
Unfortunately, the next couple of acts weren’t so great. Tame Impala spent more time guitar soloing than singing. This is okay if you’re John Butler or Slash, but it doesn’t work so well on a crowd that doesn’t know your music. Duffy was small. And squeaky. She reminded me of the character Annabeth Schott, from The West Wing. She did have one cute gimmick, her backing singers were identical twins.
Fortunately, we had Louis XIV to move onto. They rocked the main stage with great success, the crowd were certainly into it.
Next up, Elbow. Unfortunately, I only managed to see half of their set, but what I saw convinced me that I need to see them again.
Elbow were interrupted to see The Temper Trap. If you’re after an up and coming Australian band to keep an eye on, these 4 guys from Melbourne are it. Their previous single Sweet Disposition got a fair bit of airplay on alternative stations last year (and sent the crowd off), and their new single Science of Fear is sounding good, too.
As it turns out, Vanilla Ice was quite popular. I had the good fortune to not see him, but not for lack of trying on the part of the rest of the crowd. He was on immediately after The Temper Trap, a lot of people wanted to see him, and it seems the Wisdom of Crowds doesn’t extend to the Laws of Physics. Two solid bodies cannot pass through each other, no matter how hard they push in opposite directions. Luckily, I did manage to escape, though I’m not sure which is worse: that people still like Vanilla Ice, or that they might like him ironically.
I don’t know what sort of unholy fire it is that keeps Madness rocking, but rock they did. One of the driving forces between Ska’s second wave, they still have what it takes today. A combination of talented musicians (who doesn’t love a rockin’ brass section?) and brilliant stage showmanship easily made Madness the non-headline performance of the day.
Speaking of, we come to the first of the two headlines I got to see, Kaiser Chiefs. There’s no doubt that we were watching Kaiser Chiefs. Definitely Kaiser Chiefs. Frontman, Ricky Wilson, took the opportunity to remind us at just about every possible moment. And to buy their new album. Did you know they have a new album out? Everyone should buy their new album, even if they already have it. Lame banter aside, they put on a brilliant performance, with Ricky stretching the boundaries of stage to include climbing nearby scaffolding in order to serenade himself on the big screen, and climbing on top of trucks parked beside the stage.
For the final act, there was no way anyone could surpass The Killers. You may be able to take the band out of Vegas, but there’s no way to take Vegas out of the band. Thank you to everyone who participated in Earth Hour last week, you successfully negated the power usage of The Killer’s light show. They were definitely a class above the rest of the acts, with an impressive light and pyrotechnic show. Sadly, their popularity meant I had to miss out on Snow Patrol in order to get a good spot, whom I’m reliably told were also very good.
Bonus: “Shakycam” video of The Killers performing Read My Mind.
Interestingly, V Festival didn’t sell out, making it about the only major festival in the country that doesn’t. It has some stiff competition from Big Day Out, I suspect that people just don’t see it as great value for money. To compare, BDO cost $130, V cost $140. BDO went from 11am-11pm, V went from 1pm-10pm. BDO has 6 stages, V has 4. While I still found it to be great value, it just isn’t able to compete with Big Day Out at this point in time. But, I’m all for more festivals, so I’m happy to encourage them to keep bringing out big name bands.
More V Festival pics available here.
Links
Villains of Wilhelm
Tame Impala
Duffy
Louis XIV
Elbow
The Temper Trap
Madness
Kaiser Chiefs
The Killers
Gig Of The Year: Pillowtalk
I know, it’s pretty early on in the year to be making that claim. But, I think it’s justified.
First of all, the performers:
- Tim Freedman, of The Whitlams
- Pinky Beecroft, formerly of Machine Gun Fellatio, now of Pinky Beecroft and the White Russians
- Dave McCormack, formerly of Custard, now of Dave McCormack and the Polaroids
- Perry Keyes
- Supported by Bernie Hayes
The gig was set at The Basement in Circular Quay on Saturday the 21st of March, 2009. Eventually called Pillowtalk, it was originally going to be called 40-something, Sexy (a reference to The Whitlams’ No Aphrodisiac), until Bernie turned 50.
Tim, Pinky and Dave are amongst my favourite performers, so this was certainly a show I had high expectations for. Best of all, it didn’t disappoint. All of the performers shared the stage fluidly, taking part in each others’ songs, or leaving the stage temporarily to let the others take up the limelight.
First up, Bernie Hayes. I hadn’t heard his music before, and I have to say, I’m a new convert.
The main act proceeded in two parts: set one being songs about when love is new and exciting, including The Whitlams’ Fall For You, The White Russians’ Someone For Everyone and Custard’s Anatomically Correct. Not your conventional love songs, certainly, but I’m sure the sentiment is there… somewhere.
The second set was all about when love goes horribly wrong, perhaps best characterised by The Whitlams’ Last of the Teenage Lovers and Beauty in Me, The White Russians’ My Ex-Girlfriend’s Boyfriend and his classic from MGF days, Unsent Letter. The set finished with Dave’s particular bitter A.V.O.: “Why are you wasting all my precious time?”.
For an encore, Tim and Pinky sang their respective parts of No Aphrodisiac for the first time ever. (Well, second time if you count the show from the previous night.)
Of course, no show involving Dave McCormack would be complete without his particular brand of crazy. From his frequent forays into the audience (both when he was singing, and when he got bored of sitting on stage doing nothing), through to his efforts after the encore to hijack the band and make them play whatever song came to his mind.
All up, a brilliant show consisting of some of Australia’s best live performers. They’re threatening to do it again next year, so for those that missed out, you just might get lucky.
Gary Pendergast, noun: Gamer and developer. MySQL, WordPress, web and music geek. Makes interesting things at Automattic. Can be observed in his natural habit at pento.net, or usually in Melbourne, Australia.
My Photo Blog
